NEW YORK TIMES EDITORS’ CHOICE – An archive of collective memory and exuberant testimony
A luminous map to navigate an opaque and disorienting present
An infinite geography of possible futures
What does it mean to be Black and alive right now?
Kimberly Drew and Jenna Wortham have brought together this collection of work–images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more–to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics.
In answering the question of what it means to be Black and alive, Black Futures opens a prismatic vision of possibility for every reader.
“The best way to read Black Futures is, frankly, as slowly as possible. At over 500 pages, it’s heavy, literally and figuratively. Every page of this oversize illustrated book is dense, even when it’s just a few lines of white print on black background, or a sepia portrait of Representative Ilhan Omar. The book’s curators, Kimberly Drew (the former social media manager at the Metropolitan Museum) and the New York Times Magazine culture writer Jenna Wortham, advise that ‘like us, this book is not linear,’ nor is it meant to be read as such; you can enter and exit the project on whatever pages you choose. This freedom creates a literary experience unlike any I’ve had in recent memory — once you start reading Black Futures, you are somehow endlessly reading it, even long after you’ve devoured every page.” New York Times Book Review
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